Earlier this year I began volunteering in my 4th grade daughter's class. I've helped out before, but this time I came with an agenda. My daughter's teacher had asked me to visit every Friday to teach the kids how to write and to offer creative inspiration. And during my visits I could read a little of my middle grade novel, THE CURSE of the MUMMY PRINCESS. A chapter a week.
That's how it started.
During my first visit, as I sat down in front of a classroom full of kids to read my manuscript, I freaked out inside. And apparently outside too, because a girl in the front row pointed out to the rest of the class that I had a dark red rash growing up my neck.
With a shaky voice and a red, blotchy neck, I read the first chapter of my story...out loud...to kids.
And they loved it.
I was no longer asked to spend my time teaching writing, but to read as much as possible of my manuscript before the bell rang.
Over the top of my purple Kindle I'd see the teacher pause from grading papers to sit and listen. And my heart would quicken.
The kids started drawing pictures of the characters and scenes from the story. And with great detail. They caught the part that explained the gold in Aziza's braids. And the part that showed Aziza's dark skin and her servant Halima's lighter skin tone. They caught everything!
Some days, if I finished before the bell rang, the teacher would excitedly pull up pictures of ancient Egypt for the class to see and I'd tell the kids little historical tidbits that weren't included in the story. Two weeks ago, the teacher explained to the class that my manuscript challenged some ways of thinking, which led into a great class discussion on gender roles and religious freedom. (Yes, my daughter's teacher is AMAZING.)
Not only did the kids (and an adult) enjoy my story, but it inspired important conversations.
And you know what else? While some would call it a "girl book" because the main character is female, the boys liked it just as much. Today one of the boys told me his favorite character is Isis because she's tough and strong.
Today I finished telling the story. My heart sped as I read those last few pages, hoping the ending didn't disappoint the children listening and picturing the action unfold in their heads. When I said "The End" I received applause from twenty-something sets of hands. And my neck probably still got red and blotchy, but for a completely different reason than before.
I wouldn't have experienced any of these things if I hadn't read my manuscript to a big group of kids. A big group of amazing, intelligent, imaginative, deep-thinking kids.
I'm not saying you need to run out and read your manuscript to an elementary school class. I am saying, though, it's an incredible experience.
Friday, June 5, 2015
Sunday, May 17, 2015
Playing with Images and Worlds
I wrote a contemporary sci-fi romance. It has dual POVs, with one POV taking place on our world and the other taking place on another world; a seemingly perfect world. In the story those of the perfect world saw that we needed a little help and because everything is connected they opted to help us out. They call themselves Watchers. We call them our conscience.
When I was developing this story world, I wrote a Watcher's Poem, though it's more like a creed. Today I played with it a bit and here's how it turned out. :)
When I was developing this story world, I wrote a Watcher's Poem, though it's more like a creed. Today I played with it a bit and here's how it turned out. :)
Wednesday, December 24, 2014
WRITE POWERFULLY
Happy Holiday Week!
My friend and I had a discussion that inspired me to write this blog post. It's timely as we're heading into 2015, creating new goals.
We writers are an interesting and sometimes neurotic bunch. And oftentimes on our path to traditional publication we ask questions like, "Am I a good enough writer?" or "Will I ever be published?"
Completely normal. All of us have done this, and will continue to question ourselves for whatever writerly reason.
But here's the thing, most of this publishing path, you control in one way or another. It has a lot to do with how much work you want to put into it. With how willing you are to persevere.
Are you a good enough writer? That's a great question. Write a manuscript. Get critique partners who know what they're doing. (CP's who don't try to edit your voice, but rather look for character and story line issues.) What if you learn you're not a good enough writer? Easy. You get better. You read a ton. Pick apart books and movies that you love and hate, figure out why. Practice. And then write another manuscript. Have CP's pick that one apart too. They didn't finish reading it? Find out why and fix it.
Will you ever be published? Well, that's kinda up to you.
I've met many writers who have gone merrily down the path to publication only to realize there's a fork in the road. A bunch of forks. And they find themselves looking into options they wouldn't have considered in the beginning. The publishing world changes and so do you. It's okay to examine your wants and needs every now and again and change your mind about them.
I've met many writers who have gone merrily down the path to publication only to realize there's a fork in the road. A bunch of forks. And they find themselves looking into options they wouldn't have considered in the beginning. The publishing world changes and so do you. It's okay to examine your wants and needs every now and again and change your mind about them.
And yes, if you're wanting traditional publishing with a big house, you're going to need an agent. That may be daunting. Believe me, I queried two manuscripts and felt like I'd taken up residence in the query trenches. But you still aren't completely powerless. Agents WANT to sign new clients. They WANT to sell your manuscript. So give them a reason to choose yours. Try not to give them a ton of reasons to reject it.
Is your concept unique? Is it marketable? Is your manuscript well written? Does it fall within the word count guidelines? Is your query stellar? Are you sending it to agents who represent your genre? These are all things YOU HAVE CONTROL over.
You're not a frog sitting on a lily pad, surrendering to wherever the wind chooses to push that round green leaf. You can hop to other lily pads. Heck, you can swim in the pond. You have options and you have power.
I completely understand the flurry of emotion this publishing path can bring. So I'm not trying to trivialize or simplify this at all. I do know, however, that when we feel powerful, we stress less and behave powerfully. We write powerfully. That's my goal for myself in 2015 and it's my goal for you as well.
I have one question: You feelin' froggy?
I completely understand the flurry of emotion this publishing path can bring. So I'm not trying to trivialize or simplify this at all. I do know, however, that when we feel powerful, we stress less and behave powerfully. We write powerfully. That's my goal for myself in 2015 and it's my goal for you as well.
I have one question: You feelin' froggy?
Friday, October 24, 2014
MY 777 CONTRIBUTION (AKA: I Was Tagged)
Good FRIDAY morning!
Today I was invited to the 777 challenge by my agency sibling, Suzanne Warr. Here's the gist: Post 7 lines from your work in progress (WIP), which you will find on the 7th page, 7 lines down.
I've decided to use my WIP, THE CURSE of the MUMMY PRINCESS. I'm in the final revision stages of this manuscript and pretty excited about it. Oh, and it's a middle grade time travel, adventure novel. :)
Here's my 7 lines:
Halima cracked open the lid to my sarcophagus. Light flashed in slivers through my bandages and the pain in my empty gut faded. Sharp brightness burned my eyes. A loud thud echoed and shook the casket as Halima removed the lid altogether. With a quickness, she went to work on my wrappings, starting at my forehead, pulling and tearing the linen strips. One more rip and the unfiltered light seemed to pass through my eyes and sear my brain. I blinked hard. I wished my hands were free, so I could rub the stars away. I closed my eyes, but opened them again. Despite the pain, I had to see what the afterlife held for me.
And also, when I'm writing a manuscript I like to find pictures to inspire me. Here's a few of my favorites for THE CURSE of the MUMMY PRINCESS. :)
Have a great weekend!
Today I was invited to the 777 challenge by my agency sibling, Suzanne Warr. Here's the gist: Post 7 lines from your work in progress (WIP), which you will find on the 7th page, 7 lines down.
I've decided to use my WIP, THE CURSE of the MUMMY PRINCESS. I'm in the final revision stages of this manuscript and pretty excited about it. Oh, and it's a middle grade time travel, adventure novel. :)
Here's my 7 lines:
Halima cracked open the lid to my sarcophagus. Light flashed in slivers through my bandages and the pain in my empty gut faded. Sharp brightness burned my eyes. A loud thud echoed and shook the casket as Halima removed the lid altogether. With a quickness, she went to work on my wrappings, starting at my forehead, pulling and tearing the linen strips. One more rip and the unfiltered light seemed to pass through my eyes and sear my brain. I blinked hard. I wished my hands were free, so I could rub the stars away. I closed my eyes, but opened them again. Despite the pain, I had to see what the afterlife held for me.
And also, when I'm writing a manuscript I like to find pictures to inspire me. Here's a few of my favorites for THE CURSE of the MUMMY PRINCESS. :)
Have a great weekend!
Wednesday, August 27, 2014
MY LUNCH with EDITORS & AGENTS
I was attending my first ever writer's conference. My goal of this conference was to make an agent fall madly in love with me and my novel. Months earlier, I'd entered my ms, DEADLY SPLENDOR, in the conference's writing contest. As I was handed my registration and welcome packet the day the conference started, I was told that as a finalist in the writing contest I'd earned an extra pitch session as well as the opportunity to sit at the editor's and agent's table during the award luncheon.
Yes, yes, lovely, extra pitch session, agent's table, okay. Not important. Not if my pitch wasn't brilliant, which it wasn't. My focus was to perfect my pitch before the next morning, before pitch time.
I couldn't afford to stay in the hotel, and I lived 45 minutes away from the conference, so I'd leave the conference late at night, get a little sleep...
...then be back on the road, returning early the next morning. I arrived at the conference on Saturday morning after a nervous night's sleep, ready to pitch my heart out.
I was scheduled for three three minute pitches and one ten minute pitch. Back to back to back to back. My nerves were shot. But that wasn't the end of it. Directly following my last pitch, which ran over, I had a query class taught by an agent who wasn't taking pitches. We went around the room, sharing and critiquing our queries, and when it was my turn, the agent said she hadn't received my query. Therefore, she hadn't critiqued it. Broken heart in my throat. "But," she'd said, "Go ahead and read it to me."
I did. I read my query in front of a room full of people and a very impressive agent. Do you realize how scary that is? She asked for the manuscript. :)
Directly after the query class, was the awards luncheon. I had totally forgotten to freak out about it! Not only was I about to find out if I'd won and then stand on a stage in front of a bunch of people, but while I waited for the YA division to be called, while I bit my nails off, I'd be sitting among agents and editors. Yes, I asked if they served wine.
And no they didn't.
Turns out, out of that whole crazy morning, sitting at the big round table right beside the stage had been the most relaxed part. They mostly chatted among themselves about their recent travels and personal lives. I think a couple of them didn't even know I was an author until my name was called. Ha! And of course when I returned to my seat with an award they all congratulated me. I didn't end up pitching to any of them during that lunch, which was a relief to me and probably them too. ;) And I had a great opportunity to chat with the two professionals I sat between, both of which had requested my manuscript earlier that morning.
SO there's my story of the crazy whirlwind day I ate lunch with a table of editors and agents. :) Do you have any similar experiences?
Yes, yes, lovely, extra pitch session, agent's table, okay. Not important. Not if my pitch wasn't brilliant, which it wasn't. My focus was to perfect my pitch before the next morning, before pitch time.
I couldn't afford to stay in the hotel, and I lived 45 minutes away from the conference, so I'd leave the conference late at night, get a little sleep...
...then be back on the road, returning early the next morning. I arrived at the conference on Saturday morning after a nervous night's sleep, ready to pitch my heart out.
I was scheduled for three three minute pitches and one ten minute pitch. Back to back to back to back. My nerves were shot. But that wasn't the end of it. Directly following my last pitch, which ran over, I had a query class taught by an agent who wasn't taking pitches. We went around the room, sharing and critiquing our queries, and when it was my turn, the agent said she hadn't received my query. Therefore, she hadn't critiqued it. Broken heart in my throat. "But," she'd said, "Go ahead and read it to me."
I did. I read my query in front of a room full of people and a very impressive agent. Do you realize how scary that is? She asked for the manuscript. :)
Directly after the query class, was the awards luncheon. I had totally forgotten to freak out about it! Not only was I about to find out if I'd won and then stand on a stage in front of a bunch of people, but while I waited for the YA division to be called, while I bit my nails off, I'd be sitting among agents and editors. Yes, I asked if they served wine.
And no they didn't.
Turns out, out of that whole crazy morning, sitting at the big round table right beside the stage had been the most relaxed part. They mostly chatted among themselves about their recent travels and personal lives. I think a couple of them didn't even know I was an author until my name was called. Ha! And of course when I returned to my seat with an award they all congratulated me. I didn't end up pitching to any of them during that lunch, which was a relief to me and probably them too. ;) And I had a great opportunity to chat with the two professionals I sat between, both of which had requested my manuscript earlier that morning.
SO there's my story of the crazy whirlwind day I ate lunch with a table of editors and agents. :) Do you have any similar experiences?
Sunday, August 3, 2014
NEW LENS COATING to HELP COMBAT COMPUTER EYE STRAIN
It's that time again, when I step away from the lensometer, pull my lab coat on, arrange the PD stick and pens in my pocket, and basically don the cloak of an optician. Because this is another blog post brought to you by Rachel, the author who's also an optician. :)
I recently had a visit from Dave, my office's lab representative. (We mainly use a lab called Hoya, but there's others out there). Every so often he swings by our optometry practice and chats with us about the new technology offered in lenses. After the meeting I pulled him aside to explain my vision needs and the fact that I'm an author who stares at the computer screen for hours on end. He suggested I order an aspheric, digital lens with recharge coating. And while I do plan to tell you writers all about aspheric and digital lenses, today I want to talk to you about recharge coating.
And here's why:
It blocks a portion of the blue light from electronic devices.
Odds are, if you've bought prescription glasses, you've been offered a clear coating on your lenses called anti-glare, or anti-reflective coating. The coating is clear, but can leave a faint greenish sheen if it's tilted in a particular way. It cuts the glare of oncoming headlights at night so you don't have the star-burst effect across your lenses. It also helps with glare from overhead lighting. I mainly love anti-reflective coating because it makes my lenses practically clear so people can see my eyes and not their own reflection.
But, as Dave explained to me, there's a new kind of anti-reflective coating. His lab, Hoya, calls it Recharge. It's works similar to the traditional anti-glare coating, but it goes a step further. It protects against the blue light emanating from computer screens, tablets, back-lit eReaders, and smart phones.
See, there's something called a visible light spectrum, and it's basically what it sounds like. Within this light spectrum, there's good blue light that regulates our sleep patterns and then there's bad blue light that basically messes up those patterns. Overuse of devices can cause Computer Vision Syndrome (CVS) and Digital Eye Strain (DES). Symptoms include headaches, blurred vision, and fatigue.
Once David left our office, I ordered the lenses he'd suggested and then waited impatiently for them to arrive shiny and clear and beautiful.
They did. And they are amazing.
My eyestrain after a day of editing on the laptop has been cut down considerably, if not altogether. And a headache is no longer a part of my nightly reading sessions on my Kindle.
I recently had a visit from Dave, my office's lab representative. (We mainly use a lab called Hoya, but there's others out there). Every so often he swings by our optometry practice and chats with us about the new technology offered in lenses. After the meeting I pulled him aside to explain my vision needs and the fact that I'm an author who stares at the computer screen for hours on end. He suggested I order an aspheric, digital lens with recharge coating. And while I do plan to tell you writers all about aspheric and digital lenses, today I want to talk to you about recharge coating.
And here's why:
It blocks a portion of the blue light from electronic devices.
Odds are, if you've bought prescription glasses, you've been offered a clear coating on your lenses called anti-glare, or anti-reflective coating. The coating is clear, but can leave a faint greenish sheen if it's tilted in a particular way. It cuts the glare of oncoming headlights at night so you don't have the star-burst effect across your lenses. It also helps with glare from overhead lighting. I mainly love anti-reflective coating because it makes my lenses practically clear so people can see my eyes and not their own reflection.
But, as Dave explained to me, there's a new kind of anti-reflective coating. His lab, Hoya, calls it Recharge. It's works similar to the traditional anti-glare coating, but it goes a step further. It protects against the blue light emanating from computer screens, tablets, back-lit eReaders, and smart phones.
See, there's something called a visible light spectrum, and it's basically what it sounds like. Within this light spectrum, there's good blue light that regulates our sleep patterns and then there's bad blue light that basically messes up those patterns. Overuse of devices can cause Computer Vision Syndrome (CVS) and Digital Eye Strain (DES). Symptoms include headaches, blurred vision, and fatigue.
Once David left our office, I ordered the lenses he'd suggested and then waited impatiently for them to arrive shiny and clear and beautiful.
They did. And they are amazing.
 |
| (While the traditional AR coating has a green sheen, Recharge has a blue sheen. I've tilted the glasses so you can see the sheen. The top picture is viewing the lenses straight on and you can see they are clear.) |
My eyestrain after a day of editing on the laptop has been cut down considerably, if not altogether. And a headache is no longer a part of my nightly reading sessions on my Kindle.
Next time you're finishing up with your eye exam and picking out frames, make sure to ask for the Recharge coating on your lenses in lieu of your regular anti-glare coating. I think it's a great step up in eye-care technology, especially for those in my publishing industry.
Thursday, May 8, 2014
Blog Release Party for Michelle Merrill’s novel, CHANGING FATE!
All Kate wants is to live. Battling cystic fibrosis is hard enough, dying from it is even harder. When her mom moves them closer to the hospital in the middle of her senior year, Kate’s determined to isolate herself—saving everyone the trouble of befriending a dying girl. It’s a difficult task when cheerful optimist Giana insists on being Kate’s friend.
Kate’s resolve falters even more when curly-haired Kyler captivates her with his sweet melodies. As her emotional walls collapse, Kate realizes the people she’s been pushing away may be the ones giving her a reason to live. But it might be too late.
Want to win a free copy? Visit each participating blog and find all 16 key phrases—2 in each fun fact about the author. Put them together and answer the question in the giveaway on Michelle’s blog for extra points! The giveaway is open to everyone no matter where you live!
Michelle Merrill (1 & 2)
Carol Riggs (3 & 4)
Shallee McArthur (5 & 6)
Kelley Hicken (7 & 8)
Annette Larsen (9 & 10)
Rachel Pudelek (11 & 12)
Melanie Stanford (13 & 14)
Chantele Sedgwick (15 & 16)
Michelle Merrill loves kissing her hubby, snuggling her kids, eating candy, reading books, and writing first drafts. She names her computers after favorite fictional characters and fictional characters after favorite names. To learn more about her, visit www.authormichellemerrill.com.
11. My favorite authors are Jane Austen, Brandon Sanderson, Maria V. Snyder, Jessica Day George, and Shannon Hale. If you haven’t heard of them, well…why haven’t you heard of them? You’re missing out!
12. I like to sing, but only in a large group. I pull some sweet solos when I’m all alone, but no one will ever get to hear them!
Michelle Merrill
Author of Young Adult Contemporary, Changing Fate
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