Moving On...

Okay, I've thought about the rejection letter and I am going to update my blog. Should I quote a piece of what Ms. Agent wrote me? Yeah, I should.

"Thanks so much for sending me NEW HOPE. I really enjoyed the story; it's well-plotted and entertaining. Unfortunately, I don't think the book grabs the emotions as much as it should. The characters feel emotionally distant. This is a common flaw with early manuscripts and I'm sure with continued work you'll master the technique. I'd be happy to take another look at your work at some point. I wish you the best as you continue down the road to publication!"

This is an amazing rejection letter. Now I really want this agent. Her sweet respect and encouragement make me just want her to sign me! I've listened to other author's opinions about what she meant, and I think I have an understanding. And guess what? She's SO right. I went back and read my first chapter. It's gripping and pulls you in, but you don't know what Eva is feeling. I show the story and in some ways I explain who she is as a result of her circumstances (being Jewish in Nazi occupied Germany), but I don't explain who SHE is as a person -outside of her circumstances and current life situation. What is her favorite color? Her favorite food? What does she do for fun? To relax? To vent?

As a doula, when I would interview a pregnant mommy so that I could know how to best help her during labor, I asked her pages and pages of personal questions. Where do you hold tension? What do you do to release the tension? Do you have areas on your body that you can't stand being touched? Do you like your head, feet, back rubbed? Which one would you prefer? And on and on. Does it matter that the mom may watch TV when she wants to relax? Not really. Not while she's in labor it doesn't because she wont be watching TV, but it tells me a little about her and how she unwinds so that I know that she prefers to work through her discomfort by being distracted rather than focusing on it. The answers the mommy gives me sheds light onto other areas of her life because as humans, our likes and dislikes are connected to how we perceive things and in turn to our reactions.

Yet, I didn't ask Eva (my main character) what her favorite color was!

Here's what I did to rectify my mistake. I joined A.C.F.W. and found a few character sheets with tons of questions to ask of my character. Right now, I'm working on filling them out and already I am seeing more layers to Eva, which is exciting. I added bits and pieces of her to the first chapter, but I'm sure I'll add more. I can't wait to really make her a person in my story. I had a friend read my manuscript a while ago and she said she loved it because she really felt like she was watching Eva's life unfold through a window. At the time I thought that was huge, but now I see I don't want my readers to watch it through a window. I want them to watch it through HER eyes. Through a deep connection with Eva. I hope I am able to make that happen.

Here's The Question: Have you done a character questionnaire for your main character? How do you add depth to your characters? If you're a reader, what in the story makes you feel connected to the characters?

I Moved!

Before I begin, I must warn you -this post has nothing to do with writing. Alright, you've been warned, we can proceed.

I can now add a new state to the list of places I've lived.
Okay. So, here's the list:

~California
~Oregon
~Washington
~Germany
~Texas

My new home state? New Mexico. I've driven through plenty of times, but this time is different. This time I stayed and I'm glad I did. I love living around types of natural beauty that are unique to a certain area or state and meeting people from backgrounds different from my own. I think it helps a person to write better -to tap into a larger array of characters when they have lived and experienced more than what's in their own comfort zone. Wait, look, this IS about writing! Leave it to me!

Seriously though, I feel like a blessed woman. When I moved to Texas it was a huge culture shock, but the two years I spent there taught me a lot. I saw a culture hinged upon family and values. I also saw more flat land and big skies than I thought existed!

Now that I'm in yet a new state, I can't wait to learn and see what all New Mexico has to offer and I can't help but wonder if I'll use the area, it's history, or it's people into one of my books.

Are you wondering about the pictures up top? I couldn't help myself. Yes, I did an unsafe thing -I took pictures while driving. (Guilty sigh) I thought the comparison was hilarious. Oh, and I should mention that that U-Haul you see in both pictures, yeah that was my view the WHOLE trip. My hubby was pulling it.

Here's the question:
Can you guess what I was comparing? Notice any differences between the two state pictures?

RESTING

I'm waiting. Waiting for 'the call'.

Ms. Agent told me to give her eight weeks to read my manuscript. The last week of July/ first week of August, is the eight week mark.

I've heard of other new authors who wait anxiously for 'the call'. Don't get me wrong, I dream of her telling me she wants to represent me, but anxiety? No. My friend asked me if I constantly check my email for a response from Ms. Agent, and I told her I don't want an email, I want a phone call. An email would be a rejection letter.

Why am I not freaking out, it being only a couple weeks away from the end of July? I've had two kids. Okay, yes, I see how that may need further explanation. See, many say writing a book is like having a baby. It takes time and effort and tons of emotions. You work hard, pushing ideas and words from your very core until one day, sitting in front of you is a beautiful, one-of-a-kind manuscript.

I understand that if finishing the manuscript is like giving birth than my analogy is working backwards, but stick with me. I see waiting for 'the call' as waiting to go into labor. Now, yes I've only actually gone into labor twice (I have two kids) but as a doula, I've seen and counsoled many women going into labor. The one sentence every new soon-to-be mom has said two weeks prior to her due date is, "I just want to meet my baby." They want the baby out.

They want to see the fruition of all the time they put into being pregnant. All those leg cramps at 2am, and unwanted pounds gained. You know what I tell them? "Enjoy the rest while you have it." Which leads to why I am not fretting, and wearing down a circle in the carpet around my phone. I am enjoying the rest. I know (from hearing others) that the big work starts after 'the call'.

Just like after having a newborn, the demands are placed on the author in the way of edits, and deadlines. And just like being a new mother, I'll gladly accept the demands head on. But, for now, I am two weeks away from my due date and I am resting. While I enjoy the freedom of writing foot loose and pressure free!

Here's the Question:
What are you waiting for right now?

Free Flow vs Outline

How do you write? Is the question a bit too general? I agree.

If you are currently writing, or have ever written a book, what does the process look like for you? More specifically, do you just write or do you use an outline?

On my first manuscript I just wrote as the story unfolded in my head. I had a rough, simple outline, but nothing more than a long paragraph written about the plot. While I was finishing that first manuscript, I ran across a well known author's website where she'd said she always used outlines when writing. So, from what I gathered, she'd create a chapter by chapter outline and then write the book. That sounded very intriguing and I decided to try that in a future manuscript.

I started writing my second manuscript without an outline, and about 10,000 words into it, I am beginning to entertain the whole outline idea again.

So Here's the Question:
Do you, or have you used an outline? And if so, what does it look like? How in depth do you go?

Summer Writing Schedule?

Summer brings new schedules. Most include laying by the pool, sleeping in, and vacations. If you write though, summer brings with it the necessity of figuring out a new 'writing schedule'.

During the school year I write while my kids are in school. Now, I am working on a new time to write. And I don't mean writing with interruptions between each sentence from sweet little ones who want food, permission to watch TV, etc.

No, I am looking for some good, condensed, deep story time. I've told myself I'll wake up early to write in a quiet house with coffee cup in hand. However, since making that decision I've had a sinus infection which demands as much sleep as possible. Good times.

These thoughts got me thinking; how are your writing schedules changing over the summer? Or are you taking the summer off? I'm interested in knowing how others do this. Thanks for your input!

What is Edgy Christian Fiction?

Ask me what an edgy hair cut is, and I'll tell you it's something with lots of color and spikes. A style that would cause most people on the street to do a double take because it is so very unique.

Ask me what an edgy dog is, and I'll explain it's a very nervous canine that either licks compulsively, barks a ton, or jumps on you. Or all three.

Now ask me what an edgy Christian fiction book is and I'll give you a blank stare. Not sure. I have my guesses, but I can't be certain. Is it a book that the author would classify as Christian but with subject matter that pushes the envelope? Because I've read Christian fiction with pretty heavy subject matter and I don't know that Francine Rivers would call her books 'edgy'. She doesn't use strong cuss words, or vulgar explanations when writing about abortion, prostitution, etc. So, is she not 'edgy' because she chooses to respect her readers by not graphically explaining sinful actions in great detail? Or is she considered 'edgy' and I just don't know?

Tell me, what is 'edgy' to you when it concerns Christian fiction? I have my pre-concieved ideas, but nothing in cement. Is it that a book discusses the more difficult subjects that aren't all love and sunshine? Or is it when a book closely resembles secular fiction in the language used, with a Christian over-all theme?

Book Exam

The first book that I want to examine is Leota's Garden by Francine Rivers. Ms. Rivers is a well respected and wonderful writer. She's also incredible popular within the Christian fiction category which makes this the perfect book to examine. Although I will enjoy reading debut author's books this summer, I will not examine them on my blog.

So, lets get started shall we? Again, this is not a review at all. Only an avenue of learning the craft of writing a little better. I don't know about you, but I can ALWAYS learn!

Leota's Garden is 448 pages, or 163,091 words long.

I loved how most of the book is from Grandma Leota's (84 yr old woman) point of view. What an unusual main character! By writing one of her main character's to be at such a mature age, she was able to mix history and contemporary in one book. What could have been a dry back-story is now tales of days gone by, the brighter days of her youth. As the reader I was able to not only learn a little history but see life through an elderly persons point of view which added to the story, made it believable and I felt invested. Isn't that what we want our readers to feel?

The beginning of the book automatically pulls you into the story with a conflict and a necessary decision that one of the main characters is forced to make. However, once that choice is made, the body of the book falls flat with lots of introspective thinking and not any real action. You see the main characters mature and grow as individuals, but there is no action until the very end.
I suppose you can make the arguments between characters as pieces of action, but they result in nothing more than continued anger.

The last few chapters of the book are packed with emotions, decisions and arguments that result in changed hearts and changed lives. The ending was very clean and packaged beautifully. As the reader, I felt like all the loose strings were tied up and the bow was securely in place. Each main character is not only changed, but Francine Rivers shows how they changed by their new decisions and lifestyle rather than just saying they've changed their thinking and leaving it at that.

One of the main points I learned from reading this book is ACTION. It's necessary if you want to keep your reader from putting the book down. And not just action, but action that boasts results of some kind.

Also, too much introspective thinking can muddle up the story rather than make it clearer. On the other hand, some is needed in learning how the character thinks so that when you want to show change, the amount of change is better understood because you know how the character 'used' to think.

Lastly, I learned to take the time to package the ending securely and completely. Tie up any loose strings by showing the change in the characters, not telling about it. To allow some space for this when watching my word count. She didn't save the last two pages to tell how they've changed. She used the last few chapters to explain their metamorphose in character which made me as the reader feel like I got the full story and wasn't 'jipped' at the end.

Here's the Question:
If you've read this book, what have you learned from it?