Sunday, January 12, 2014
Eye Health Tips for the Writer
Give me a second while I step away from the lensometer, shrug on my white lab coat, arrange my PD stick, and make sure I have all the right pens in my pockets.
Okay.
Now that that's done, I should tell you, I'm writing this post as an optician AND a writer.
How are your eyes doing? More specifically, how's your vision? I ask because spending hours at a time, staring at an illuminated screen, searching those little commas and letters, can take its toll. And while I plan to touch on a few vision issues noticed by writers, today I want to talk to you about prism.
Depending on what you're dealing with prism can mean a few different things. For instance, Katy Perry's new album is called Prism. (It's pretty good, by the way.)
But here's the definition as it relates to your vision: When you have prism, it means your eyes are not aligned in how they see things. For instance your right eye may see an object slightly lower or higher than your left. Or maybe farther right or left. This can result in double or blurred vision.
Oftentimes you won't know for sure if this is happening. And the reason I bring this up to you all is because if you need a slight or low prism correction you won't notice the necessity in everyday life. Our brains are pretty amazing at compensating for this need. Except when you're tired and when you're reading.
Here's how it works, if one eye sees things higher than the other, the brain has to work that much harder to line up words on the page, just so you can read them. Because your brain is working overtime to place these words in a straight line, it's less capable of retaining what you just read.
When you're super tired and watching TV, your brain wants to rest for the night, so it's more likely to give you a headache till you call it quits, or you'll close one eye without realizing it, just so your brain can stop trying to match up the image on the TV screen.
Make sense? See why I bring this up to my fellow writers?
So what are the signs that you need to be checked for prism? I'm glad you asked.
~ Difficulty driving at night.
~ Issues with depth perception.
~ Notice you close one eye when you're tired.
~ Headaches while reading or studying.
~ Unable to fully comprehend as you read.
~ Must re-read a sentence over and over to retain it.
~ Using your finger or another object to keep your place while reading.
~ Tightness in your shoulders and/or neck.
If this list rings true for you, go to a trusted optometrist and ask to be tested for prism during your next refraction (when they give you a glasses prescription). The test is quick and non-evasive. If you do have prism, wearing corrective lenses will ease the strain of studying story research, editing, and even pleasure reading. It'll help you retain the information you read much easier, and lessen the headaches.
Stay tuned for my next post about eye health where I'll explain the different correction lenses for reading and computer use.
Have a question? Feel free to leave it in the comments or email me directly. :)
Wednesday, December 18, 2013
CUTLASS Cover Reveal & GIVEAWAY!!
I have this friend who wrote a YA story about pirates and deadly stones and falling in love. And then she announced her decision to self-publish. I waited, impatiently, to see the cover. And you guys? It was worth the wait!
Behold...
Blurb:
Notorious pirate Barren Reed has one thing on his mind:
Revenge against the man who killed his father. So kidnapping his enemy's fiancé
seems a perfect plan…until he actually does it.
Larkin Lee is more than a pretty face and fiancé to a
powerful man. Her fierce personality is enough to make any pirate want to push
her overboard.
But when the King of the Orient comes to Barren with a
task—to find the Bloodstone, a powerful gem thought only to exist in legend,
Barren sees another opportunity to destroy his enemy. Together, Barren, Larkin
and a crew of pirates set off to find the stone, only to discover it caused the
death of Barren’s own mother and Larkin’s, too. As his strongest allies turn
into his greatest enemies, and the life of the girl he kidnapped becomes more
important than he ever dreamed, Barren’s quest for revenge becomes a fight to
save the Orient.
Add it to your list here: Goodreads
Rafflecopter
Giveaway:
Friday, December 6, 2013
NATURE
If you peruse the About Me section of my blog, you'll notice I have this thing for nature. Mostly evergreens and water. And if you read my manuscript, DEADLY SPLENDOR, you'll see just how deep my love for all things nature really goes.
One day I'll share the circumstances in which I wrote DEADLY SPLENDOR, but for now I'd like to tell you about the threads woven through the story. Threads spun from my heart.
On the five acres I lived while writing this story were great evergreens. Some were clustered throughout the property and some were along the tree line of the forest beyond the fence. But one in particular caused me to write a story in which the folkloric females of Norse mythology, the Huldra, hid. In DEADLY SPLENDOR, my characters (who descended from these folkloric women) have the ability to change their skin to the color of bark. To hide high among its branches, completely concealed. I wish I had a picture of this gorgeous tree to show you, but so far pictures haven't done it justice. It sits by itself, completely dwarfing the very large nearby evergreens. And I can't seem to get far enough away from it to fit the whole tree into my camera lens. I do have one picture, though, of the forest's tree line a few winters ago.
One day I'll share the circumstances in which I wrote DEADLY SPLENDOR, but for now I'd like to tell you about the threads woven through the story. Threads spun from my heart.
On the five acres I lived while writing this story were great evergreens. Some were clustered throughout the property and some were along the tree line of the forest beyond the fence. But one in particular caused me to write a story in which the folkloric females of Norse mythology, the Huldra, hid. In DEADLY SPLENDOR, my characters (who descended from these folkloric women) have the ability to change their skin to the color of bark. To hide high among its branches, completely concealed. I wish I had a picture of this gorgeous tree to show you, but so far pictures haven't done it justice. It sits by itself, completely dwarfing the very large nearby evergreens. And I can't seem to get far enough away from it to fit the whole tree into my camera lens. I do have one picture, though, of the forest's tree line a few winters ago.
Also, in DEADLY SPLENDOR you'll see rare plants used for healing and for hurting. You'll see dabs of history hailing the women who practiced holistic medicine in the days of the European Inquisitions. You'll almost feel the seaweed of the Puget Sound, and practically brush your legs along flailing ferns in the forests of the Pacific Northwest.
I guess what I'm trying to say is, even in my fiction nature has a very important place in my heart.
What about you? What do you find yourself drawn to? Wanting to read or write about?
Wednesday, August 21, 2013
YA Books to Movie!
Every now and then I browse IMDB for upcoming movies. Today I found out there's a few movies being made from YA novels. (Though, as we know, just because they are planning on making them, doesn't mean they actually will.) Thought I'd share the links. I put the book cover picture over the movie link. Let me know if you have some to add.
http://www.imdb.com/title/tt1686821/
http://www.imdb.com/title/tt1718855/
http://www.imdb.com/title/tt1686821/
http://www.imdb.com/title/tt1718855/
Movies optioned by Stephenie Meyer's production company, Fickle Fish
Monday, August 5, 2013
QUERY & MS ISSUES I'VE NOTICED
Lately I've been doing a lot of manuscript and query critiquing, and I'd like to talk about a writing issue I've noticed. One that can possibly help with your query as well as your manuscript.
No base plot thread. No main point. Basically, what is the main character hoping to accomplish? Or what do they need to learn?
I'll use a few popular movies and books to explain.
ANNA DRESSED IN BLOOD by Kendare Blake: In the first chapter you meet Cas, a ghost hunter, and you see that his goal is to find a ghost named Anna and kill her.
How to Train Your Dragon (movie): Early on you see that Hiccup is not like the other vikings. He wants to be accepted and loved by his dad, which means he needs to learn how to deal with dragons, one way or another.
TWILIGHT by Stephenie Meyer: In the first chapter Bella is new to town, and not too happy about her move. She sees Edward and is intrigued; she wants to get to know him, see him again.
FIRST GRAVE on the RIGHT by Darynda Jones: In the first chapter the main character, Charley, is approached by the ghost of a dead guy asking for her help to find out who murdered him. Also, a very old undead being contacts her and whispers a name no-one should know, other than her.
From the get go, the reader/viewer has an idea of what to root for. It's as though the writer has left bread crumbs on the plot trail, enough to keep the reader/viewer traipsing down the trail. Hopefully enough to make the reader want to run down that trail, full speed ahead because they just HAVE to know if the main character is successful. (Of course there's other factors in writing a can't-put-down story, but I'm focusing on this one.)
I see the main plot thread as the main color of a tapestry, woven through the center. You need it to keep the rest of the threads together, to make them mesh and the complimenting colors pop. The story opens, you show the inciting incident (what spurs the main character). Then at about 15% in (give or take) you have the first plot point (when the MC decides to venture out and change things up, while still sticking to the basic plot thread.)
For example, in How to Train Your Dragon a band of dragons attack the viking's village and Hiccup tries to help, to make his dad proud, but he screws up and ruins everything and in the process hurts a black dragon, Toothless. That's the inciting incident. When he meets Toothless and helps him, deciding there may be another way to save the village from dragons, that's the first plot point. All the while, he's still seeking acceptance from his dad and the villagers while trying to keep the village safe from future dragon attacks, which is the main plot thread.
Look at your manuscript. Does your main character have a goal/motivation? What is it? Why? This question should be answered (hinted to, at least) in the first couple chapters. It's what causes the reader to continue down that path, knowing which way it's headed and promises more bread crumbs. And it shows the reader what's so special about your story. What makes it unique.
So if you're having trouble creating a query, it could be because either you're not realizing and showcasing your main plot thread, or you don't have one.
Tell me in a couple sentences, what's your main plot thread?
No base plot thread. No main point. Basically, what is the main character hoping to accomplish? Or what do they need to learn?
I'll use a few popular movies and books to explain.
ANNA DRESSED IN BLOOD by Kendare Blake: In the first chapter you meet Cas, a ghost hunter, and you see that his goal is to find a ghost named Anna and kill her.
How to Train Your Dragon (movie): Early on you see that Hiccup is not like the other vikings. He wants to be accepted and loved by his dad, which means he needs to learn how to deal with dragons, one way or another.
TWILIGHT by Stephenie Meyer: In the first chapter Bella is new to town, and not too happy about her move. She sees Edward and is intrigued; she wants to get to know him, see him again.
FIRST GRAVE on the RIGHT by Darynda Jones: In the first chapter the main character, Charley, is approached by the ghost of a dead guy asking for her help to find out who murdered him. Also, a very old undead being contacts her and whispers a name no-one should know, other than her.
From the get go, the reader/viewer has an idea of what to root for. It's as though the writer has left bread crumbs on the plot trail, enough to keep the reader/viewer traipsing down the trail. Hopefully enough to make the reader want to run down that trail, full speed ahead because they just HAVE to know if the main character is successful. (Of course there's other factors in writing a can't-put-down story, but I'm focusing on this one.)
I see the main plot thread as the main color of a tapestry, woven through the center. You need it to keep the rest of the threads together, to make them mesh and the complimenting colors pop. The story opens, you show the inciting incident (what spurs the main character). Then at about 15% in (give or take) you have the first plot point (when the MC decides to venture out and change things up, while still sticking to the basic plot thread.)
For example, in How to Train Your Dragon a band of dragons attack the viking's village and Hiccup tries to help, to make his dad proud, but he screws up and ruins everything and in the process hurts a black dragon, Toothless. That's the inciting incident. When he meets Toothless and helps him, deciding there may be another way to save the village from dragons, that's the first plot point. All the while, he's still seeking acceptance from his dad and the villagers while trying to keep the village safe from future dragon attacks, which is the main plot thread.
Look at your manuscript. Does your main character have a goal/motivation? What is it? Why? This question should be answered (hinted to, at least) in the first couple chapters. It's what causes the reader to continue down that path, knowing which way it's headed and promises more bread crumbs. And it shows the reader what's so special about your story. What makes it unique.
So if you're having trouble creating a query, it could be because either you're not realizing and showcasing your main plot thread, or you don't have one.
Tell me in a couple sentences, what's your main plot thread?
Thursday, July 25, 2013
After You Sign Your Agent
Wondering about the process of traditional publishing? That unknown of AFTER you land an agent? I was too. Until I read this:
Books. From Manuscript to Offer.
How Does a Publishing Auction Work?
If you know of other great posts, let me know and I'll add the links. :)
Books. From Manuscript to Offer.
How Does a Publishing Auction Work?
If you know of other great posts, let me know and I'll add the links. :)
Tuesday, July 9, 2013
Write On Con is COMING!!!
Just a quick post.
WRITE ON CON
Yes! It's coming. August 13-14.
Why do I love this one so much?
~ Because it's how my agent found me.
~ Because it's a writing conference you can attend in your PJ's
~ Because it's free
~ Because you meet the friendliest, most helpful writers in the world
~ Because they are writers who know their stuff, so their help with your query actually helps
~ Because I have two other friends (at least) who signed with their agents through WOC
I'm sure there's more, but there you have it. Write On Con is where I met most of my critique partners, too.
So set your calendars to those two days in August.
I'm not pitching (obviously) but I'll still be there, offering query critiques and making friends.

WRITE ON CON
Yes! It's coming. August 13-14.
Why do I love this one so much?
~ Because it's how my agent found me.
~ Because it's a writing conference you can attend in your PJ's
~ Because it's free
~ Because you meet the friendliest, most helpful writers in the world
~ Because they are writers who know their stuff, so their help with your query actually helps
~ Because I have two other friends (at least) who signed with their agents through WOC
I'm sure there's more, but there you have it. Write On Con is where I met most of my critique partners, too.
So set your calendars to those two days in August.
I'm not pitching (obviously) but I'll still be there, offering query critiques and making friends.

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